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Think Heavy Metal, Think Led Zeppelin

Led Zeppelin was the definitive heavy metal band. It wasn’t just their crushingly loud interpretation of the blues — it was how they incorporated mythology, mysticism, and a variety of other genres (most notably world music and British folk) — into their sound. Led Zeppelin had mystique. They rarely gave interviews, since the music press detested the band. Consequently, the only connection the audience had with the band was through the records and the concerts. More than any other band, Led Zeppelin established the concept of album-oriented rock, refusing to release popular songs from their albums as singles. In doing so, they established the dominant format for heavy metal, as well as the genre’s actual sound.

Led Zeppelin formed out of the ashes of the Yardbirds. Jimmy Page had joined the band in its final days, playing a pivotal role on their final album, 1967’s Little Games, which also featured string arrangements from John Paul Jones. During 1967, the Yardbirds were fairly inactive. While the Yardbirds decided their future, Page returned to session work in 1967. In the spring of 1968, he played on Jones’ arrangement of Donovan’s “Hurdy Gurdy Man.” During the sessions, Jones requested to be part of any future project Page would develop. Page would have to assemble a band sooner than he had planned. In the summer of 1968, the Yardbirds’ Keith Relf and James McCarty left the band, leaving Page and bassist Chris Dreja with the rights to the name, as well as the obligation of fulfilling an upcoming fall tour. Page set out to find a replacement vocalist and drummer. Initially, he wanted to enlist singer Terry Reid and Procol Harum’s drummer B.J. Wilson, but neither musician was able to join the group. Reid suggested that Page contact Robert Plant, who was singing with a band called Hobbstweedle.

After hearing him sing, Page asked Plant to join the band in August of 1968, the same month Chris Dreja dropped out of the new project. Following Dreja’s departure, John Paul Jones joined the group as its bassist. Plant recommended that Page hire John Bonham, the drummer for Plant’s old band, the Band of Joy. Bonham had to be persuaded to join the group, as he wasled-zeppelin being courted by other artists who offered the drummer considerably more money. By September, Bonham agreed to join the band. Performing under the name the New Yardbirds, the band fulfilled the Yardbirds’ previously booked engagements in late September 1968. The following month, they recorded their debut album in just under 30 hours. Also in October, the group switched its name to Led Zeppelin. The band secured a contract with Atlantic Records in the United States before the end of the year. Early in 1969, Led Zeppelin set out on their first American tour, which helped set the stage for the January release of their eponymous debut album. Two months after its release, Led Zeppelin had climbed into the U.S. Top Ten. Throughout 1969, the band toured relentlessly, playing dates in America and England. While they were on the road, they recorded their second album, Led Zeppelin II, which was released in October of 1969. Like its predecessor, Led Zeppelin II was an immediate hit, topping the American charts two months after its release and spending seven weeks at number one. The album helped establish Led Zeppelin as an international concert attraction, and for the next year, the group continued to tour relentlessly. Led Zeppelin’s sound began to deepen with Led Zeppelin III. Released in October of 1970, the album featured an overt British folk influence. The group’s infatuation with folk and mythology would reach a fruition on the group’s untitled fourth album, which was released in November of 1971. Led Zeppelin IV was the band’s most musically diverse effort to date, featuring everything from the crunching rock of “Black Dog” to the folk of “The Battle of Evermore,” as well as “Stairway to Heaven,” which found the bridge between the two genres. “Stairway to Heaven” was an immediate radio hit, eventually becoming the most played song in the history of album-oriented radio; the song was never released as a single. Despite the fact that the album never reached number one in America, Led Zeppelin IV was their biggest album ever, selling well over 16 million copies over the next two and a half decades. Read the rest of this entry »

What We Talkin’ About by Jay-Z

Jay-Z will earn his fourth Hot 100 No. 1, but his first as a lead or co-billed performer, as his collaboration with Alicia Keys, “Empire State of Mind,” will top the chart to be released tomorrow.

The legendary rapper’s prior chart-topping entries came as a featured vocalist on Mariah Carey’s “Heartbreaker” (1999), his now-wife’s “Crazy In Love” (2003) and Rihanna’s “Umbrella” (2007). “Empire” is also Keys’ fourth overall No. 1, as she previously scaled the list with her debut single “Fallin’” (2001), her duet with Usher, “My Boo,” (2004) and “No One” (2007).

“Empire” takes Hot 100 Airplay Gainer honors as it rises 6-1 on the Radio Songs chart (up 15 million listener impressions to 109.5 million), the largest climb to No. 1 on that chart since Kanye West’s “Stronger” jumped 7-1 on the chart dated Oct. 6, 2007.JAYZ

Also noteworthy in the Hot 100 top 10 is the 22-5 jump of Lady Antebellum’s “Need You Now.” The act, which won Vocal Group of the Year and Single of the Year (for “I Run To You”) on ABC’s “Country Music Awards” Nov. 11, performed “Need” on the highly rated broadcast. As a result, digital downloads soared 162% to 157,000, the highest one-week sum for a song by a country group since Nielsen SoundScan began tracking digital sales in 2003. Among all country acts, only Taylor Swift has moved more downloads for a track in a single week.

Read the rest of this entry »

Enjoy KERPLUNK by Green Day

Kerplunk by punk rock band Green Day is the second full-length album. It was released on January 17, 1992 on Lookout! Records. Kerplunk! was their last release on an independent label and was also the first album to feature their current band lineup, with Tré Cool on drums. The album went on to become one of the bestselling independent albums ever, selling 10,000 units on the day of its release.  Major labels took notice of Kerplunk!’s phenomenal popularity and many approached the band. Green Day realized that they had outgrown their record distribution capacity with Lookout! and eventually signed with Reprise Records. With Reprise, Green Day would record and release their third album Dookie (1994), which would become a landmark album of the 1990s with over 14 million units sold in the U.S. alone and 39 million units worldwide.In December 2007, Blender magazine ranked Kerplunk! #47 on their list, “The 100 Greatest Indie Rock Albums Ever”. Read the rest of this entry »

1,039/Smoothed Out Slappy Hours

1,039/Smoothed Out Slappy Hours is a collection of early recordings by American punk rock band Green Day, released in 1991. Although it is often referred to as the group’s first album, this is not factually correct. Their first album was 39/Smooth, whereas 1,039/Smoothed Out Slappy Hours includes that album in its entirety as well as two complete EPs and a track from a previous compilation album.

The album included one cover, “Knowledge“, which was originally by influenti1X039_X_Smoothed_Out_Slappy_Hours-Green_Day_480al California punk band Operation Ivy.

The album was re-released in 2007 with special limited packaging and all new CD-rom features, incl. live performances and pictures.

Track listing

1. “At the Library” by  Billie Joe Armstrong

2. “Don’t Leave Me” by B. J. Armstrong

3. “I Was There” by John Kiffmeyer

4. “Disappearing Boy” by B. J. Armstrong

5. “Green Day” by  B. J. Armstrong

6. “Going to Pasalacqua” by  B. J. Armstrong

7. “16″ by B. J. Armstrong

8. “Road to Acceptance” by B. J. Armstrong

9. “Rest” by B. J. Armstrong

10. “The Judge’s Daughter” by B. J. Armstrong

11. “Paper Lanterns” by B. J. Armstrong

12. “Why Do You Want Him?”  byB. J. Armstrong

13. “409 in Your Coffeemaker” by B. J. Armstrong

14. “Knowledge [A]“ by Jesse Michaels

15. “1,000 Hours” by B. J. Armstrong

16. “Dry Ice” by B. J. Armstrong

17. “Only of You” by B. J. Armstrong

18. “The One I Want” by B. J. Armstrong

19. “I Want to Be Alone” by B. J. Armstrong

THIS IS THE ONE….

Main Title Lists

  1. “Come Back to Me”  by Utada, M.S. Eriksen, T.E. Hermansen Stargate, Utada, Sking U
  2. “Me Muero”  by Utada, M.S. Eriksen, T.E. Hermansen Stargate, Utada and Sking U
  3. “Merry Christmas Mr. Lawrence – FYI” that composed by Ryuichi Sakamoto Stargate, Utada and Sking U
  4. “Apple and Cinnamon”   by Utada, M.S. Eriksen, T.E. Hermansen Stargate, Utada and Sking U
  5. “Taking My Money Back”  by  Utada, C. Stewart C. “Tricky” Stewart, Utada and Sking U
  6. “This One (Crying Like a Child)” by  Utada, M.S. Eriksen, T.E. Hermansen Stargate, Utada and Sking U
  7. “Automatic Part II” by  Utada, S. Hall, C. Stewart C. “Tricky” Stewart, Sean K., Utada and Kuk Harrell
  8. “Dirty Desire”  by Utada, C. Stewart C. “Tricky” Stewart, Utada, Kuk Harrell and Sking U
  9. “Poppin’”   Utada, M.S. Eriksen, T.E. Hermansen Stargate, Utada and Sking U
  10. “On and On” by  Utada, S. Hall, C. Stewart Sean K., C. “Tricky” Stewart,and Utada Read the rest of this entry »

See how the Green Day Rock…

Green Day emerged out of the Northern California underground punk scene in the late 80’s. Their first album 1,039 / Smoothed Out Slappy Hours was a compilation of three previous released EP’s. Shortly after the album was released Tre Cool replaced the band’s drummer, John Kiffmeyer, completing the trio that make up the group today. After a second album Kerplunk, released in 1992, the band signed to major record label Reprise.

At first, Green Day was part of the California punk scene. Childhood friends Billie Joe Armstrong (guitar, vocals) and Mike Dirnt (bass; born Mike Pritchard) formed their first band, Sweet Children, in Rodeo, California when they were 14 years old. By 1989, the group had added drummer Al Sobrante and changed their name to Green Day. That year, the band independently released their first EP, 1,000 Hours, which was well-received in the punk scene. Soon, the group had signed a contract with the local independent label, Lookout! Records. 39/Smooth, Green Day’s first album, was released later that year. Shortly after its release, the band replaced Kiftmeyer with Tre Cool (born Frank Edwin Wright, III); Tre Cool became the band’s permanent drummer.


Throughout the early ’90s, Green Day continued to cultivate a cult following, which only gained strength with the release of their second album, 1992’s Kerplunk. The underground success of Kerplunk led to a wave of interest from 105078-GreenDay1024_1024x768major record labels; the band eventually decided to sign with Reprise. Dookie, Green Day’s major label debut, was released in the spring of 1994. Thanks to MTV support for the initial single “Longview,” Dookie became a major hit. The album continued to gain momentum throughout the summer, with the second single “Basket Case” spending five weeks on the top of the American modern rock charts. At the end of the summer, the band stole the show at Wo odstock ‘94, which helped the sales of Dookie increase.

By the time the fourth single “When I Come Around” began its seven-week stay at number one in the modern rock charts in early 1995, Dookie had sold over five million copies in the US alone; it would eventually top eight million in America, selling over eleven million copies internationally. Dookie also won the 1994 Grammy for Best Alternative Music Performance. Read the rest of this entry »

Utada Hikaru Review…

(November 10, 2009 – New York, NY) Worldwide pop icon Utada Hikaru, who holds the record for the past decade as the top-selling Japanese-American female pop artist of all-time, has scheduled an 8-city U.S. tour in support of THIS IS THE ONE , her most recent album on Island Records, featuring the Top 5 Billboard Dance track, “Come Back to Me.”

Utada_Hikaru_040013hikaru-utada picture

Utada Hikaru born in January 19, 1983. The same birthday is shared by writer/poet Edgar Allan Poe, with whom she fell in love during my junior-high years; Ogai Mori, one of Japan’s literary geniuses; cute Udo Suzuki-san; and even cuter Rika Ishikawa-chan.  Her height about 158cm and hobbies are literature. This is because books are assets to be treasured by her. In terms of her favorite movie star, she like Amadeus, Crash, Munich, Brazil, Tasogare Seibei, Lost Highway, The Shawshank Redemption, The Godfather Part II, The Jerk, Orlando, works by Hayao Miyazaki.

In her career life, she actually prefer to be become a writer and  open a small bookshop and become a clerk there and also work part-time at a cafe. However, thing changes after she he made her first professional recording at the age of twelve, and recorded her first album, Precious, in 1996 under the pseudonym Cubic U. The album led to her career overseas.

It was released nearly a month earlier, on September 9 in Japan, with a special booklet and housed in a cardboard slipcase. In an MTV interview, Utada said: “There really aren’t any completely Asian people singing right now. For …

THIS IS THE ONE is the latest English-language album for New York-born Utada, the follow-up to Exodus, her Island Records English-language debut (released 2004). It was released nearly a month earlier, on September 9 in Japan, with a special booklet and housed in a cardboard slipcase. In an MTV interview, Utada said: “There really aren’t any completely Asian people singing right now. For …

utada_hikaru_14581THIS IS THE ONE debuted at #3 on the Oricon Japanese national chart, giving Utada a total of eight consecutive debuts in the top 3!! In support of the release of THIS IS THE ONE last May, Utada made a memorable early-morning interview appearance on New York’s Z-100 with Elvis Duran, setting the scene for jam-packed album signing events at Sephora Stores in New York, Los Angeles and Miami!

26-year old singer-songwriter, arranger, and producer Utada, who writes all her own music, has achieved record-breaking success since her 8-million selling premiere solo album First Love was issued in 1999 – holds the all time record for biggest-selling album ever for a Japanese-American pop artist-male or female.

THIS IS THE ONE extended her run to the U.S., when it debuted here at #20 on the iTunes overall Album chart and #2 on the iTunes Pop Album chart – making Utada the first Japanese-American artist to break the Top 20 Album chart on iTunes.  Utada also claimed her first debut on the R&R Rhythmic chart and her first ever debut on any R&R format chart with her single “Come Back to Me.”

As Island Records celebrates its 50th anniversary in 2009, Utada  fits in perfectly with the label’s long-standing tradition of introducing unique artists with international followings.  Born and raised in Manhattan and educated at Columbia University, the bi-lingual Utada is closely tied to Japan: Her mother, Keiko Fuji, was a successful Japanese enka (ballad) singer, and her father, Utada Teruzane, an accomplished musician who is now his daughter’s manager and co-producer (as ‘Sking U’).  Living between New York and Tokyo, Utada had written and recorded her first song by age 11, and signed a major label deal and released her first Japanese album (as ‘Cubic U’) by the time she’d graduated from junior high.  In the decade to follow,  she became one of the most successful and acclaimed pop singers in Japanese music history.

Kelis Finally BACK!!

She may have been the first girl to scream on a track, as Kelis says in her song “Bossy,” but she’s more like the 100th girl this year alone to try on the Euro-dance sound on her latest effort “Acapella.”

The singer — who took a break from music after being dropped by her former record label, having her first child with and divorcing rapper Nas — is reemerging with a new sound, new look, 0000056184_350and a new place to call her label home.

She leaked the new single today via her twitter page and followed it up with a message to fans, saying she’s wrote it with “love and life in mind.”

Kelis compares her life to a song being sung in acapella and once love enters it, it’s brimming with pulsating beats and synthesis as illustrated by production by David Guetta. Although the overall sound is nothing new, the sincerity in the lyrics mixed with the danceable beat makes it pretty refreshing.

Kelis’ as-yet-untitled album is, she says, “pretty much done” and will be released in 2010.

However, different story go for her lifestyle. There is some rumors have swirled for nearly a year over the current status of the marriage between one of hip hop’s royal couples, Nas and Kelis. Read the rest of this entry »