The album officially includes only 12 tracks, but the versions released on CD and cassette also include the 4 tracks from the Sweet Children EP. One of those 4 tracks is a cover of The Who’s “My Generation”. Another notable track on the album is “Welcome to Paradise”, which the band would re-record for their next album Dookie.

As of November 2006, Kerplunk! has sold 699,001 units in the United States, and over 4 million worldwide.

In August 2005, Green Day pulled this album, as well as all of their other material released through the label, from Lookout! due to unpaid royalties^. It was reissued on CD by Reprise Records, who Green Day has been with since leaving Lookout!, on January 9, 2007. Note that in Europe, the album was released by Epitaph Europe, and has remained in print.

Track listing
1.     ”2000 Light Years Away”       Billie Joe Armstrong     2:24
2.     ”One for the Razorbacks”       B. J. Armstrong     2:30
3.     ”Welcome to Paradise”       B. J. Armstrong     3:30
4.     ”Christie Road”       B. J. Armstrong     3:33
5.     ”Private Ale”       B. J. Armstrong     2:26
6.     ”Dominated Love Slave”       Tré Cool     1:42
7.     ”One of My Lies”       B. J. Armstrong     2:19
8.     ”80″       B. J. Armstrong     3:39
9.     ”Android”       B. J. Armstrong     3:00
10.     ”No One Knows”       B. J. Armstrong     3:39
11.     ”Who Wrote Holden Caulfield?”       B. J. Armstrong     2:44
12.     ”Words I Might Have Ate”       B. J. Armstrong     2:32
33:58
Bonus tracks (CD only)
#     Title     Writer     Length
13.     ”Sweet Children”       B. J. Armstrong, Mike Dirnt     1:41
14.     ”Best Thing in Town”       B. J. Armstrong, Mike Dirnt     2:03
15.     ”Strangeland”       B. J. Armstrong     2:08
16.     ”My Generation”       Pete Townshend     2:1

The album included one cover, “Knowledge“, which was originally by influential California punk band Operation Ivy.

The album was re-released in 2007 with special limited packaging and all new CD-rom features, incl. live performances and pictures.

Track listing

1. “At the Library” by  Billie Joe Armstrong

2. “Don’t Leave Me” by B. J. Armstrong

3. “I Was There” by John Kiffmeyer

4. “Disappearing Boy” by B. J. Armstrong

5. “Green Day” by  B. J. Armstrong

6. “Going to Pasalacqua” by  B. J. Armstrong

7. “16″ by B. J. Armstrong

8. “Road to Acceptance” by B. J. Armstrong

9. “Rest” by B. J. Armstrong

10. “The Judge’s Daughter” by B. J. Armstrong

11. “Paper Lanterns” by B. J. Armstrong

12. “Why Do You Want Him?”  byB. J. Armstrong

13. “409 in Your Coffeemaker” by B. J. Armstrong

14. “Knowledge [A]“ by Jesse Michaels

15. “1,000 Hours” by B. J. Armstrong

16. “Dry Ice” by B. J. Armstrong

17. “Only of You” by B. J. Armstrong

18. “The One I Want” by B. J. Armstrong

19. “I Want to Be Alone” by B. J. Armstrong

At first, Green Day was part of the California punk scene. Childhood friends Billie Joe Armstrong (guitar, vocals) and Mike Dirnt (bass; born Mike Pritchard) formed their first band, Sweet Children, in Rodeo, California when they were 14 years old. By 1989, the group had added drummer Al Sobrante and changed their name to Green Day. That year, the band independently released their first EP, 1,000 Hours, which was well-received in the punk scene. Soon, the group had signed a contract with the local independent label, Lookout! Records. 39/Smooth, Green Day’s first album, was released later that year. Shortly after its release, the band replaced Kiftmeyer with Tre Cool (born Frank Edwin Wright, III); Tre Cool became the band’s permanent drummer.

Throughout the early ’90s, Green Day continued to cultivate a cult following, which only gained strength with the release of their second album, 1992’s Kerplunk. The underground success of Kerplunk led to a wave of interest from major record labels; the band eventually decided to sign with Reprise. Dookie, Green Day’s major label debut, was released in the spring of 1994. Thanks to MTV support for the initial single “Longview,” Dookie became a major hit. The album continued to gain momentum throughout the summer, with the second single “Basket Case” spending five weeks on the top of the American modern rock charts. At the end of the summer, the band stole the show at Wo odstock ‘94, which helped the sales of Dookie increase.

By the time the fourth single “When I Come Around” began its seven-week stay at number one in the modern rock charts in early 1995, Dookie had sold over five million copies in the US alone; it would eventually top eight million in America, selling over eleven million copies internationally. Dookie also won the 1994 Grammy for Best Alternative Music Performance.

Green Day quickly followed Dookie with Insomniac in the fall of 1995; during the summer, they hit number one again on the modern rock charts with “J.A.R.,” their contribution to the Angus soundtrack. Insomniac performed well initially, entering the US charts at number two, and selling over two million copies by the spring of 1996, yet none of its singles — including the radio favorite “Brain Stew/Jaded” — were as popular as those from Dookie. In the spring of 1996, Green Day abruptly canceled a European tour, claiming exhaustion. Following the cancellation, the band spent the rest of the year resting and writing new material. The end result is what is called by many, the best album of their career, Nimrod.

Nimrod was well recieved by most critics and fans. The album sold 80,000 copies in it’s first week to land at #10 on the Billboard charts. The first single from Nimrod was “Hitchin’ A Ride”.  The single made it to No.5 on the modern rock charts and was in heavy rotation on MuchMusic and MTV. The next single the band released would not make it to number one (it’s highest position was #2), but it is now probably the most well known songs Green Day ever wrote. Featuring Billie Joe on accoustic guitar and vocals, “Time Of Your Life” became the song to play in any remotely sad situation. The song was even used on the last ever episode of the hit TV show Seinfeld (it was also the most watched finale in the history of TV). Along with Seinfeld, the song was also played on E.R on two different shows.

Nimrod has sold about two million copies, the lowest sales total out of their three major label albums, but it probably garnered the band more respect than they could have expected with another Dookie or Insomniac. The band also vastly improved their live show and even one “Best Live Performance” at the Kerrang awards.

After nearly two years with barely any mention of the band, Green Day returned in late 1999 to play Neil Young’s “Bridge School Benefit Concert”, their first live accoustic performance. Green Day began recording their follow-up to “Nimrod” shortly after, which would eventually become “Warning:”. Early in the recording process, the band decided to fire their new producer, Scott Litt, and produce the album themselves, marking the first time since “Kerplunk” that anyone but Rob Cavallo produced the bands recording. After they finished recording, Green Day decided to do something else they hadn’t done before headline the 2000 Vans Warped Tour. Green Day played an amazing set and brought more fans to the tour than any other year in Warped’s history (their Toronto performance alone attracted 7,000 more fans than they had any other year).

“Warning:” was released in the fall of 2000, and is by far Green Day’s most ambitious album to date. If its first singles, “Minority” and the album’s title track, are any indication, the album could prove to be extremely successful. Just four weeks after the release of “Minority”, it sat atop Billboard’s Modern Rock chart; no other Green Day song has hit the top that fast.

In September of 2004 Green Day  released “American Idiot”, an album which lashes out against the American government and the media. “American Idiot” was the first Green Day record ever to debut at #1 on the Billboard Charts, and other music charts around the world. The album’s title track, was an instant success. The follow up single, “Boulevard of Broken Dreams” experienced a must greater success. “American Idiot” was nominated for seven Grammy awards, and took home one, “Best Rock Album”. In August of 2005, Green Day took home 7 Video Music Awards from MTV.

Utada Hikaru born in January 19, 1983. The same birthday is shared by writer/poet Edgar Allan Poe, with whom she fell in love during my junior-high years; Ogai Mori, one of Japan’s literary geniuses; cute Udo Suzuki-san; and even cuter Rika Ishikawa-chan.  Her height about 158cm and hobbies are literature. This is because books are assets to be treasured by her. In terms of her favorite movie star, she like Amadeus, Crash, Munich, Brazil, Tasogare Seibei, Lost Highway, The Shawshank Redemption, The Godfather Part II, The Jerk, Orlando, works by Hayao Miyazaki.

In her career life, she actually prefer to be become a writer and  open a small bookshop and become a clerk there and also work part-time at a cafe. However, thing changes after she he made her first professional recording at the age of twelve, and recorded her first album, Precious, in 1996 under the pseudonym Cubic U. The album led to her career overseas.

It was released nearly a month earlier, on September 9 in Japan, with a special booklet and housed in a cardboard slipcase. In an MTV interview, Utada said: “There really aren’t any completely Asian people singing right now. For …

THIS IS THE ONE is the latest English-language album for New York-born Utada, the follow-up to Exodus, her Island Records English-language debut (released 2004). It was released nearly a month earlier, on September 9 in Japan, with a special booklet and housed in a cardboard slipcase. In an MTV interview, Utada said: “There really aren’t any completely Asian people singing right now. For …

THIS IS THE ONE debuted at #3 on the Oricon Japanese national chart, giving Utada a total of eight consecutive debuts in the top 3!! In support of the release of THIS IS THE ONE last May, Utada made a memorable early-morning interview appearance on New York’s Z-100 with Elvis Duran, setting the scene for jam-packed album signing events at Sephora Stores in New York, Los Angeles and Miami!

26-year old singer-songwriter, arranger, and producer Utada, who writes all her own music, has achieved record-breaking success since her 8-million selling premiere solo album First Love was issued in 1999 – holds the all time record for biggest-selling album ever for a Japanese-American pop artist-male or female.

THIS IS THE ONE extended her run to the U.S., when it debuted here at #20 on the iTunes overall Album chart and #2 on the iTunes Pop Album chart – making Utada the first Japanese-American artist to break the Top 20 Album chart on iTunes.  Utada also claimed her first debut on the R&R Rhythmic chart and her first ever debut on any R&R format chart with her single “Come Back to Me.”

As Island Records celebrates its 50^th anniversary in 2009, Utada  fits in perfectly with the label’s long-standing tradition of introducing unique artists with international followings.  Born and raised in Manhattan and educated at Columbia University, the bi-lingual Utada is closely tied to Japan: Her mother, Keiko Fuji, was a successful Japanese enka (ballad) singer, and her father, Utada Teruzane, an accomplished musician who is now his daughter’s manager and co-producer (as ‘Sking U’).  Living between New York and Tokyo, Utada had written and recorded her first song by age 11, and signed a major label deal and released her first Japanese album (as ‘Cubic U’) by the time she’d graduated from junior high.  In the decade to follow,  she became one of the most successful and acclaimed pop singers in Japanese music history.

The singer — who took a break from music after being dropped by her former record label, having her first child with and divorcing rapper Nas — is reemerging with a new sound, new look, and a new place to call her label home.

She leaked the new single today via her twitter page and followed it up with a message to fans, saying she’s wrote it with “love and life in mind.”

Kelis compares her life to a song being sung in acapella and once love enters it, it’s brimming with pulsating beats and synthesis as illustrated by production by David Guetta. Although the overall sound is nothing new, the sincerity in the lyrics mixed with the danceable beat makes it pretty refreshing.

Kelis’ as-yet-untitled album is, she says, “pretty much done” and will be released in 2010.

However, different story go for her lifestyle. There is some rumors have swirled for nearly a year over the current status of the marriage between one of hip hop’s royal couples, Nas and Kelis.

Reports began surfacing that the couple had broken up after a blind item about an R&B singer being caught in a sex tape with someone other than her rapper husband appeared on several gossip blogs. The gossip seemed to quiet down a bit when Nas announced his wife was pregnant with their first child together in February, but the lack of public appearances together did nothing to keep the rumors at bay.

Vibe magazine confirmed today that Nas and Kelis are no more. According to the papers obtained by the publication, Nas and Kelis have been officially separated since April 20 with Kelis filing for divorce today (April 30).

“I can confirm that she has filed for divorce,” a spokesperson told Vibe. “We request the media to respect her privacy during this very difficult time.”

The pair had been married for over five years; they tied the knot in July of 2003 in an intimate ceremony in Atlanta.

Their unborn child, a boy, is due July 21.

The public taste for and appreciation of formal music of this type waned in the late 20th century, in the United States and United Kingdom in particular. This period has seen classical music falling behind the immense commercial success of popular music, although the number of CDs sold is not the only indicator of the popularity of classical music.
The term “classical music” did not appear until the early 19th century, in an attempt to “canonize” the period from Johann Sebastian Bach to Beethoven as a golden age.The earliest reference to “classical music” recorded by the Oxford English Dictionary is from about 1836.