Green Day emerged out of the Northern California underground punk scene in the late 80′s. Their first album 1,039 / Smoothed Out Slappy Hours was a compilation of three previous released EP’s. Shortly after the album was released Tre Cool replaced the band’s drummer, John Kiffmeyer, completing the trio that make up the group today. After a second album Kerplunk, released in 1992, the band signed to major record label Reprise.

At first, Green Day was part of the California punk scene. Childhood friends Billie Joe Armstrong (guitar, vocals) and Mike Dirnt (bass; born Mike Pritchard) formed their first band, Sweet Children, in Rodeo, California when they were 14 years old. By 1989, the group had added drummer Al Sobrante and changed their name to Green Day. That year, the band independently released their first EP, 1,000 Hours, which was well-received in the punk scene. Soon, the group had signed a contract with the local independent label, Lookout! Records. 39/Smooth, Green Day’s first album, was released later that year. Shortly after its release, the band replaced Kiftmeyer with Tre Cool (born Frank Edwin Wright, III); Tre Cool became the band’s permanent drummer.

Throughout the early ’90s, Green Day continued to cultivate a cult following, which only gained strength with the release of their second album, 1992′s Kerplunk. The underground success of Kerplunk led to a wave of interest from major record labels; the band eventually decided to sign with Reprise. Dookie, Green Day’s major label debut, was released in the spring of 1994. Thanks to MTV support for the initial single “Longview,” Dookie became a major hit. The album continued to gain momentum throughout the summer, with the second single “Basket Case” spending five weeks on the top of the American modern rock charts. At the end of the summer, the band stole the show at Wo odstock ’94, which helped the sales of Dookie increase.

By the time the fourth single “When I Come Around” began its seven-week stay at number one in the modern rock charts in early 1995, Dookie had sold over five million copies in the US alone; it would eventually top eight million in America, selling over eleven million copies internationally. Dookie also won the 1994 Grammy for Best Alternative Music Performance. (more…)

People being asking whether i got talent to be or whether I got what it takes to become next legend like Micheal Jackson. Well, today must be you luck day because I might have what the doctor order.

1. Pronounce all consonants – This is very important. Consonants like “b, c, d, g, j, k, l, p, q, s, t, v, w, x, and z” are what are called “voiced consonants.” Pronounce their sounds and you will see that they have a sound you can pronounce. Other consonants, like “f, h, m, n, and r” are imploded consonants. This means that the sounds can’t really be said. For example, the “f” sound is like “fff,” while g, a voiced consonant sounds like “guh.” You must emphasis all consonant sounds when you are singing, whether they are voiced or imploded. If you have a word that ends with a “t” or “k,” you must pronounce it. For example, say you were singing “I want to take it to the end of the rainbow,” you would sing, “I wanT To TaKe iT To thee enD of the rainbow,” which the capitalized letters being clearly pronounced and slightly emphasized. Don’t overemphasize or you will hurt your vocal cords.
2. Vowel sounds are also very important. Some vowel sounds are “dipthongs,” which means they have more than one pure vowel sound in them. The pure vowel sounds are “Ah, eh, ee, o, ooh.” Some vowels, like the long “I” sound, are a combination of these sounds – in that case, “Ah – ee.” When you run into dipthongs, you must pronounce both vowel sounds. You must also pronounce the vowel sounds clearly and by the pure sounds, NOT the same as you would in general speaking. For example, the sentence “Night has gone and day has come” would be “N-ah-ee-ght hAHs gone AHnd dAHy hAHs cUHm.”|
3. Relax your mouth – Singers can’t be tense. Let your jaw drop and remain slack. Let your tongue fall forward in your mouth and rest, flat, against your front teeth. Don’t move it too much when you are pronouncing words, and don’t try to use your jaw to control pronunciation or volume. Stay loose and relaxed, with everything falling forward.
4. When singing, feel like you are always on the edge of a yawn – this will create the correct tone in your voice. It will feel weird, and probably sound weird at first, but that’s how the professionals do it. Make yourself yawn, and then talk in a “sing-song” voice. This is how you will feel and sound (sort of) when you have the correct tone to your voice. (more…)

When, Micheal Jackson pass away, people have being asking, who will able replace him. In order to solve his problem I’d like to pass onto you fews great tips on let you  sing well so that you would become next legend.

If you implement these tips into your singing, you will notice an immediate improvement in the quality of your voice.

These tips will help you to sing with more vocal range, better tone, and much more flexibility. It took me many years to discover these tips, so pay attention, because you’re about to learn them all at once!

The first tip on improving singing is an exercise called the “lip roll”. If you religiously practice this exercise and nothing else, you will notice a large improvement in your voice in a matter of weeks.

The reason it works so well is it does a magnificent job of balancing out your voice as you sing. You see, when you sing there are three main things that need to be in balance for your voice to sound great.

These three things are your air pressure, your vocal resonance and your vocal chord coordination.

Now, these topics are all fairly big, so I’m not going to cover them all in this article. You can however get excellent training at this website , which will help you master these important areas of singing.

For now though, just know that the “lip roll” exercise I’m about to show you balances these three areas, which is exactly what you need to happen to develop an excellent singing voice.

Ok, the lip roll is fairly simple to do, but you need to actually hear what it sounds like to get a good idea of how it’s done.

A little while back I recorded a tutorial demonstrating how to do this very effective exercise. I highly recommend you check out the tutorial, because this exercise can help your singing tremendously.

The second tip on improving singing is to experiment singing in your upper vocal range using a very squeaky “waaa” sound. (Sort of like a baby crying)

When you use this very squeaky sound, you should be able to sing in your upper vocal range with much less vocal strain, because it “forces” your vocal chords to form the correct vocal coordination for your upper vocal range.

Many singers have trouble with singing in their upper vocal registers because they “pull” much of the weight from their lower vocal register up too high. By keeping things really squeaky you should be able to “drop” much of this weight and sing correctly in your upper vocal registers (known as your mixed voice and your head voice).