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Think Heavy Metal, Think Led Zeppelin

Led Zeppelin was the definitive heavy metal band. It wasn’t just their crushingly loud interpretation of the blues — it was how they incorporated mythology, mysticism, and a variety of other genres (most notably world music and British folk) — into their sound. Led Zeppelin had mystique. They rarely gave interviews, since the music press detested the band. Consequently, the only connection the audience had with the band was through the records and the concerts. More than any other band, Led Zeppelin established the concept of album-oriented rock, refusing to release popular songs from their albums as singles. In doing so, they established the dominant format for heavy metal, as well as the genre’s actual sound.

Led Zeppelin formed out of the ashes of the Yardbirds. Jimmy Page had joined the band in its final days, playing a pivotal role on their final album, 1967’s Little Games, which also featured string arrangements from John Paul Jones. During 1967, the Yardbirds were fairly inactive. While the Yardbirds decided their future, Page returned to session work in 1967. In the spring of 1968, he played on Jones’ arrangement of Donovan’s “Hurdy Gurdy Man.” During the sessions, Jones requested to be part of any future project Page would develop. Page would have to assemble a band sooner than he had planned. In the summer of 1968, the Yardbirds’ Keith Relf and James McCarty left the band, leaving Page and bassist Chris Dreja with the rights to the name, as well as the obligation of fulfilling an upcoming fall tour. Page set out to find a replacement vocalist and drummer. Initially, he wanted to enlist singer Terry Reid and Procol Harum’s drummer B.J. Wilson, but neither musician was able to join the group. Reid suggested that Page contact Robert Plant, who was singing with a band called Hobbstweedle.

After hearing him sing, Page asked Plant to join the band in August of 1968, the same month Chris Dreja dropped out of the new project. Following Dreja’s departure, John Paul Jones joined the group as its bassist. Plant recommended that Page hire John Bonham, the drummer for Plant’s old band, the Band of Joy. Bonham had to be persuaded to join the group, as he wasled-zeppelin being courted by other artists who offered the drummer considerably more money. By September, Bonham agreed to join the band. Performing under the name the New Yardbirds, the band fulfilled the Yardbirds’ previously booked engagements in late September 1968. The following month, they recorded their debut album in just under 30 hours. Also in October, the group switched its name to Led Zeppelin. The band secured a contract with Atlantic Records in the United States before the end of the year. Early in 1969, Led Zeppelin set out on their first American tour, which helped set the stage for the January release of their eponymous debut album. Two months after its release, Led Zeppelin had climbed into the U.S. Top Ten. Throughout 1969, the band toured relentlessly, playing dates in America and England. While they were on the road, they recorded their second album, Led Zeppelin II, which was released in October of 1969. Like its predecessor, Led Zeppelin II was an immediate hit, topping the American charts two months after its release and spending seven weeks at number one. The album helped establish Led Zeppelin as an international concert attraction, and for the next year, the group continued to tour relentlessly. Led Zeppelin’s sound began to deepen with Led Zeppelin III. Released in October of 1970, the album featured an overt British folk influence. The group’s infatuation with folk and mythology would reach a fruition on the group’s untitled fourth album, which was released in November of 1971. Led Zeppelin IV was the band’s most musically diverse effort to date, featuring everything from the crunching rock of “Black Dog” to the folk of “The Battle of Evermore,” as well as “Stairway to Heaven,” which found the bridge between the two genres. “Stairway to Heaven” was an immediate radio hit, eventually becoming the most played song in the history of album-oriented radio; the song was never released as a single. Despite the fact that the album never reached number one in America, Led Zeppelin IV was their biggest album ever, selling well over 16 million copies over the next two and a half decades. (more…)

See how the Green Day Rock…

Green Day emerged out of the Northern California underground punk scene in the late 80’s. Their first album 1,039 / Smoothed Out Slappy Hours was a compilation of three previous released EP’s. Shortly after the album was released Tre Cool replaced the band’s drummer, John Kiffmeyer, completing the trio that make up the group today. After a second album Kerplunk, released in 1992, the band signed to major record label Reprise.

At first, Green Day was part of the California punk scene. Childhood friends Billie Joe Armstrong (guitar, vocals) and Mike Dirnt (bass; born Mike Pritchard) formed their first band, Sweet Children, in Rodeo, California when they were 14 years old. By 1989, the group had added drummer Al Sobrante and changed their name to Green Day. That year, the band independently released their first EP, 1,000 Hours, which was well-received in the punk scene. Soon, the group had signed a contract with the local independent label, Lookout! Records. 39/Smooth, Green Day’s first album, was released later that year. Shortly after its release, the band replaced Kiftmeyer with Tre Cool (born Frank Edwin Wright, III); Tre Cool became the band’s permanent drummer.


Throughout the early ’90s, Green Day continued to cultivate a cult following, which only gained strength with the release of their second album, 1992’s Kerplunk. The underground success of Kerplunk led to a wave of interest from 105078-GreenDay1024_1024x768major record labels; the band eventually decided to sign with Reprise. Dookie, Green Day’s major label debut, was released in the spring of 1994. Thanks to MTV support for the initial single “Longview,” Dookie became a major hit. The album continued to gain momentum throughout the summer, with the second single “Basket Case” spending five weeks on the top of the American modern rock charts. At the end of the summer, the band stole the show at Wo odstock ‘94, which helped the sales of Dookie increase.

By the time the fourth single “When I Come Around” began its seven-week stay at number one in the modern rock charts in early 1995, Dookie had sold over five million copies in the US alone; it would eventually top eight million in America, selling over eleven million copies internationally. Dookie also won the 1994 Grammy for Best Alternative Music Performance. (more…)

Kelis Finally BACK!!

She may have been the first girl to scream on a track, as Kelis says in her song “Bossy,” but she’s more like the 100th girl this year alone to try on the Euro-dance sound on her latest effort “Acapella.”

The singer — who took a break from music after being dropped by her former record label, having her first child with and divorcing rapper Nas — is reemerging with a new sound, new look, 0000056184_350and a new place to call her label home.

She leaked the new single today via her twitter page and followed it up with a message to fans, saying she’s wrote it with “love and life in mind.”

Kelis compares her life to a song being sung in acapella and once love enters it, it’s brimming with pulsating beats and synthesis as illustrated by production by David Guetta. Although the overall sound is nothing new, the sincerity in the lyrics mixed with the danceable beat makes it pretty refreshing.

Kelis’ as-yet-untitled album is, she says, “pretty much done” and will be released in 2010.

However, different story go for her lifestyle. There is some rumors have swirled for nearly a year over the current status of the marriage between one of hip hop’s royal couples, Nas and Kelis. (more…)

It all about passion and interest.

When, Micheal Jackson pass away, people have being asking, who will able replace him. In order to solve his problem I’d like to pass onto you fews great tips on let you  sing well so that you would become next legend.

If you implement these tips into your singing, you will notice an immediate improvement in the quality of your voice.

These tips will help you to sing with more vocal range, better tone, and much more flexibility. It took me many years to discover these tips, so pay attention, because you’re about to learn them all at once!

passion in singingThe first tip on improving singing is an exercise called the “lip roll”. If you religiously practice this exercise and nothing else, you will notice a large improvement in your voice in a matter of weeks.

The reason it works so well is it does a magnificent job of balancing out your voice as you sing. You see, when you sing there are three main things that need to be in balance for your voice to sound great.

These three things are your air pressure, your vocal resonance and your vocal chord coordination.

Now, these topics are all fairly big, so I’m not going to cover them all in this article. You can however get excellent training at this website , which will help you master these important areas of singing.

For now though, just know that the “lip roll” exercise I’m about to show you balances these three areas, which is exactly what you need to happen to develop an excellent singing voice.

Ok, the lip roll is fairly simple to do, but you need to actually hear what it sounds like to get a good idea of how it’s done.

A little while back I recorded a tutorial demonstrating how to do this very effective exercise. I highly recommend you check out the tutorial, because this exercise can help your singing tremendously.

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The second tip on improving singing is to experiment singing in your upper vocal range using a very squeaky “waaa” sound. (Sort of like a baby crying)

When you use this very squeaky sound, you should be able to sing in your upper vocal range with much less vocal strain, because it “forces” your vocal chords to form the correct vocal coordination for your upper vocal range.

Many singers have trouble with singing in their upper vocal registers because they “pull” much of the weight from their lower vocal register up too high. By keeping things really squeaky you should be able to “drop” much of this weight and sing correctly in your upper vocal registers (known as your mixed voice and your head voice).